‘On the utterly infectious Mechanical Injury, Melbourne’s Pinch Points blend the best elements of early Wire, The Fall, and Kleenex into a barbed-wire coil of sound that’s as loose and springy as it is dangerously serrated. Familiar elements abound—the warring spoken/sung male/female vocals, the obtuse-angle guitar lines—but it’s been years since they’ve been combined in a way that has felt as nervy and fresh as they do here. There’s a sense of anxious energy coursing through the tracks—like a band running at top speed to stay ahead of a bridge that’s collapsing beneath their feet. Take album standout “Jellybrain”: a few breathless apostrophes of guitar, some quick, slashing riffs, and then belted-out lyrics about the deadening effects of TV, all of them hurtling desperately toward the finish line. On “Teflon,” a guitar line flits and spasms over a rock-steady drum line, and on the manic closer “Ground Up – System Failure,” they stretch a single hiccupping riff across to the breaking point, fully collapsing at the one-minute-thirty mark before pulling out of the lurch and starting the cycle up again. What comes across on Injury more than anything is a pure, unfiltered sense of joy; make no mistake: the machine that’s causing the titular injuries is capitalism, and the band is far from thrilled about it. But they’ve found a way to merge protest music with party music—think “Rock Lobster,” if it were about overthrowing the government. Pinch Points put the “riot” back in “riotous.’
Joseph Keyes - Bandcamp
credits
released October 26, 2018
Music written, recorded & mixed by Pinch Points.
Mastered by Calum Newton.
Cassette originally released by Roolette Records, Australia.
Pinch Points writes, rehearses, performs and records it’s music primarily in Naarm - Melbourne, on the lands of the Wurundjeri, people of the Kulin Nation.
Indigenous sovereignty has never been ceded to the current « Australian » state, which will remain an occupying force and illegitimate state until sovereignty is acknowledged and treaty signed.
supported by 24 fans who also own “Mechanical Injury”
This album feels like the band came into your home and made themselves as such. They drank your beer and half your finest liquor, smeared boogers under your sofa and favorite chair, and left you this exquisite gem to make you happy they were there. Richard Weems
supported by 24 fans who also own “Mechanical Injury”
Opener absolutely rips. Falls into the ranks of tracks like “Dance” by ESG, “Eisbaer” by Grauzone, “Damaged Goods” by Gang of Four or like the album description says Kleenex. This is some really good stuff. Favorite song is the opener but dedicate “Blue” to my friend Blue who lost her life at 22, she would have loved this album. TheBloodofChrist
supported by 15 fans who also own “Mechanical Injury”
A fantastic album. I can see why they didn't continue under the name The Evens, as it's a different sound with the bass added. Coriky is the Evens + Joe Lally from Fugazi on bass. If you can imagine The Evens with a slightly more funky, aggressive sound like Fugazi... that's what you get! And there's no way that can ever go wrong. What a great debut album!! smiledozer